Spring the emerald season arrives

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The sun has finally put in an appearance, and even some warmth, and with these twin wonders splendid new growth has returned to my garden, after a very long, cold winter.

P1050776 Acer coming into leaf, lime green and pink, back-lit by late April sunshine 

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There is nothing quite like the colour quality of April and May as the purest greens and fresh new colours arrive almost daily – there is so much to observe, and forgotten highlights to greet like returning old friends.

P1050759Narcissus ‘Hawera’ on my balcony

P1050793Tulip ‘White Triumphator’ above emerging alliums

P1050750Evergreen fern’s new leaves unfurling

It’s turning out to be a particularly exciting spring for me,  for a number of specific reasons.

Firstly, I’m pleased that all my rearranging and new planting of last autumn is now paying off.

P1050701At Chelsea Flower Show 2011 Cleve West recommended growing parsnips as ornamentals – so here is one of my parsnips, dutifully saved from last year.  I’m looking forward to the yellow flowers I admired in his show garden, but for now I’m just enjoying the luminous green of the leaves.

P1050751The new dogwood planted last autumn

P1050740My newly created bed for ‘bakers’ which like sharp drainage and sun just starting to come to life  - evening primrose, eremurus, day lilies, asphodeline and Cedric Morris bearded irises.

Secondly, I have now re-painted my white fence that backs my only south-facing border – it gives a bit of Mediterranean light reflection and goes well with the tough plants in this bed that like sunny conditions and thrive on being grown hard.

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Thirdly, last week I got rid of a lot of herbs that were getting old, leggy and really underperforming.  I now have a newly planted herb bed, which will provide happily for the kitchen throughout the summer.

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Fourthly, I have taken a big leap and enrolled on the KLC On-line Diploma in Garden Design course.

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I have been thinking about this for a long while, and have finally taken the plunge.  I am now quite in seventh heaven, given licence to eat, drink, sleep and think nothing but gardening – which one has always done, but now it’s official!

But I am also slightly daunted by all the work to be done, and learning the technical drawing side of things.  But I attend a ‘kick start’ session to get things rolling at the end of May, so I will no doubt understand more of what I am doing by then.

P1050764My cat relaxing as only cats know how

And lastly, my tickets for Chelsea Flower Show first members’ day have arrived!  Watch this space – my next post will be my post-show report.

Shade glorious shade

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When I first arrived at my present garden I was dismayed to see that the whole right hand side of my garden was north-facing.  However, I no longer feel this way.  I have come to appreciate the miniature woodland setting of my shade bed.

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The south side of my garden is for drought tolerant, sun-worshipping plants that relish poor, gritty soil and thrive in those conditions – and this side really begins to come alive in May.

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But until then the shade side has the stars of the show.  The opposite micro-climate prevails here – the soil is humus rich and moisture retentive. The canopy of clematis montana, and acer palmatum ensures a year round diet of leaf debris that rots down beautifully.  The bed remains cool and elegant in summer, but vibrant in late winter and early spring with those plants best suited to semi-shade and an early start in the year.

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Snowdrops, both double and single are the first plants on the scene, their delicate forms belying their strength and tenacity.

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Then native wild primrose followed by pulmonarias, daffodils, violets and hellebores.  In late spring there is the light acid green of the acer, foxgloves and the white dicentra spectabilis seen in the header of my blog above. 

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And for all year round evergreen tranquillity there is box, ivy and ferns – the infinite variety of the ferns being a perennial source of satisfaction.

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Ferns are easy to grow, tough and yet airy light and restful – and so ancient they bring a sense of calm.  The crisp unfurling of new fronds is always fascinating to observe and they always look lush and verdant.

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One of the most satisfying aspects of gardening, it seems to me, is the fact that whilst gardeners create gardens, and tend them lovingly, plants associations and arrangements naturalise and find their own way with time.   This is particularly true in my shade bed, where hellebores self seed, snowdrops increase and ferns extend.  Every spring therefore it is like bumping into old acquaintances once again, after their summer of blending quietly into the background, it’s time to take their place in the limelight once again.

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January – New Year, snow and evergreens

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This morning has brought forth the promised snow – only a dusting at present, but no less scenic for that.

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Evergreen Dryopteris Erythrosara (Copper shield fern)

Suddenly the well known landscape of the garden changes to a blanketed assortment of different shapes and outlines, familiar, yet new under their pristine white icing.

So a new year begins, and I am doing what all gardeners do in January – retreat inside to dream of garden plans, and to wait for spring.  “Dark mornings, short days, the precious light gone before four o’clock; January often feels the longest month of the year” writes Beth Chatto in her Garden Notebook.  However, the longer I garden, the more I feel that this lull is a welcome one.

This repose is sweeter when you know you have put the garden to bed in the late autumn, new plantings and bulbs are all settled in (and very much well watered this exceptionally wet year), but enough interesting winter skeletons are left standing to add interest when the big freeze arrives.

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Agapanathus seedheads with stained glass ‘lolipops’ by Hayhoe Designs

Then there is the excitement of anticipating the coming highlights and the promise of seeing work done in November come to fruition.

And this is the month when you can truly appreciate evergreens.  With all the deciduous plants now naked and stark they come to the fore and provide a depth of comforting and stalwart green.  Too much of this would be oppressive; especially in a garden as small as mine, but just enough and the garden has a welcome structure even in the barest month.

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The last leaf on the quince tree ‘Vranja’

Last November involved a lot of new planting and re-organisation for me, which hopefully will show in the months to come.  One of the most satisfying things I did was to re-distribute my six box balls throughout my back garden – instead of having them in a formal line. (I had a misguided idea that I was creating ‘a cloud’ in true Tim Stuart-Smith fashion, but it never really worked.)  Now I have their neat shapes amongst my favourite perennials and bulbs in each of my beds, and I hope they will enjoy their new homes.   They have certainly gained in growth and stature by moving into better spaces as my six sentinels in a loose semi-circle, like numbers on a clock face.

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Box with burried bearded irises and grasses

Box needs no introduction, of course, being a wonderfully tough and resilient plant, able to thrive in drought parched sun or lush shade.  Apart from the dreaded box blight (which mercifully has not reached my garden) it is undemanding and easy to look after – just one shaping trim in late June is all it needs.  And once the snow or frost arrives, box shapes come into their own.

My bay tree, which I inherited, is also looking good in the snow – another great dependable of the garden, just as stylish in winter as in summer, and invaluable for culinary use.

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My bamboos are also looking happy this winter.  They have had a year that bamboos positively relish – virtually non-stop rain – and their foliage is therefore exceptionally glossy and healthy looking.

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Phyllostachys aurea (Golden bamboo)

And then there is the next star of the show, at a time when a star is badly needed – the hellebores.   At present they are just in bud, but they are on their way and that’s the important thing.

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‘Christmas rose’ hellebore in bud, with viola leaves

I do not have as many hellebores as I would like, but I do have some nice ones, and the beautiful fragile flowers of the Christmas, and then Lenten, varieties are a joy at this time of the year, and right through to Easter.  Along with snow drops they are the harbingers of what is to come.  Their flowers are elegant, classy and understated, but once those are over their bulbous seed heads look good all year and their glossy, evergreen leaves, like large leathery hands, are a bonus foil to other spring and summer perennials. Vita Sackville West claimed that the hellebore leaf had the same iconic status as the architectural acanthus leaf for impact in the garden, and I am inclined to agree.

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‘Lenten’ hellebore in bud

The virtues of hellebores are well known – totally reliable, tolerant of shade, and undemanding.  If left to their own devices they will readily seed around and in time interesting cross pollinations may take place.  One useful thing is to try to cut back the old leaves in December, ready for the new flowers, because the old leaves have a tendency to rot, not only chancing fungal infections, but also obscuring the emerging buds of the beautiful flowers which are best appreciated by themselves.  A fresh set of leaves will be on their way for the coming year in due course.

Many years ago I bought an excellent book on hellebores (The Gardener’s Guide to Growing Hellebores by Graham Rice and Elizabeth Strangman.)  This is now regarded as a seminal work on the genus, and has been reprinted in 2005.  It is full of useful advice on cultivation and propagation, and has wonderful illustrations of the many varieties available.

The writers are memorably lavish in their praise of their beloved plants; “They are nature’s gift to gardeners in the dismal months after Christmas, when the weather is cold and discouraging and spring seems a long way ahead.   At a time when few other flowers brave the elements, only the snowdrops in their prim whiteness and fascinating variety of forms can compete with hellebores.  Turn the flowers up and a magical transformation takes place, revealing an almost endless variety of shading, veining and spotting.”

Not surprising then that reading this book was what inspired the career of the well known hellebore breeder Lorna Jones, whose plants I very much look forward to collecting in the future, as her selections contain some really gorgeous colours which are very desirable for any hellebore lover.

One of my new acquisitions last autumn was a Dan Pearson recommendation of a delicate looking, spring flowering shrub with an impressively long name – Coronilla valentina glauca citrina (see below).

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This has turned out to be not only evergreen, which I hadn’t realised, but also a plant that carries on regardless!  It has flowered since I acquired it from Crocus nurseries in November (expertly packaged, in a master class of how to send a tall plant safely through the post), and is still flowering, covered in ice and snow, and seems perfectly happy doing so.  It also has a knock-out lemony scent which is terrific.

And finally, faithful old ivy is brought into prominence at this time of year, being one of only a few evergreen climbers in my garden.

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Ivy ascending the wall, reaching a pottery Green Man by Helen Humphreys 

So, 2012 is well and truly over – roll on 2013!  I look forward to all the garden treats in store and still to arrive.

Autumn Arcadia

Clematis tangutica ‘Bill MacKenzie’ doing its best for the autumn colour display.

I have always followed the rule I was given when I first started gardening – autumn is THE season to do anything major in your garden, and no other time.

Change any plantings, divide perennials, move shrubs, plant new plants, and get your bulbs in the ground in October/November when the ground is still warm and the plants are dormant.  A bit later in December, when it’s frosty and even snowing, is for planting bare root roses.  Exceptions to the rule are non-spring-flowering bulbs (which need to be planted in spring itself) and grasses (which prefer to be divided or planted in March, when their cycle of show and display is finished and ready to start again).

Vitis vinifera purpurea turning red in the early morning sunshine.

Once you are committed to this traditional way of organising your gardening year, it is actually liberating rather than constraining – you are not duped into believing you can pop any plant in whenever you like (like a piece of furniture in a room) and expect it to thrive.  You really can’t.  I only ever had one year when I thought I would plant a few things at strange times, and it was a disaster – what could I have been thinking of?!

Also, by following ‘the plan’ you are taught that most important of all gardening attributes – patience.

Crocosmia ‘Babylon’ still flowering in late September.

It’s all about thinking ahead to autumn and what you’ll change, add or subtract from the ongoing picture composition that is your garden and your unique combination of plants.  In reality this means a year of studying how your plants are doing, writing things down a lot (notes of plants to avail yourself of in the future are very important) and because you’ve got a whole year, plenty of time to think properly about your choices.

Wild geranium turning crimson.

So, whilst gardeners glory in every change of season, loving and nurturing every highlight as the gardening year sweeps by, at the back of their brains ‘the plan’ is hard-wired to keep rolling on from one October to the next, waiting for the much anticipated moment when we can finally step out on a nice crisp, sunny October day and really become ‘at one’ with our borders - assessing, moving, re-organising and relishing the freedom to dig up and split perennials, knowing we are improving the overall picture, multiplying our plants and having a hands-on, close-up moment with our precious charges.

Echinacea purpurea ‘Magnus’

Dan Pearson was writing in the Observer last weekend about how gardening is a cerebral, as well as a tactile experience – your ‘to do’ list is always flickering away in your head, whilst you are enjoying getting your hands dirty.  I agree that both sides of the activity are so important.  Although I spend a lot of time writing about gardening, there’s nothing quite like the actual doing – being outside in the fresh air and engaging with the soil is the most wonderful thing, and the buzz you get from a day’s hard graft in the garden is like nothing else.

Sedum ‘Matrona’ just beginning to turn.

So, you may say, what if I feel a year is just too long – what if I am ruled by the ‘I must have that now’ attitude?  Well, you have to unlearn that feeling of instant gratification that is so 21st century, and learn the gentler art of waiting and planning – it’s much more satisfying in the end and so much better for your plants too.

Bergenia ‘Overture’

I have been working on my plan all year, and over the next fortnight I will be putting it all into action, as September slips into October, and I’m so excited about getting out there and enjoying all the hard work.

Unidentified Acer turning from summer lime to pink on the way to crimson.

I have three main beds in my back garden, my shade bed (which requires no specific changes this year), my new bed, which needs complete root and branch re-planting and re-thinking, especially focusing on plants that need baking conditions, and the long bed (though it’s not really very long, except to me!) which is being augmented rather than changed.  My tiny front garden  is also due for additions.  Then there’s the allotment which requires a vast amount of weeding and tidying (after much neglect this summer), irises to be retrieved, and garlic to be planted.

So, there is a great deal to get done, as ever.

Lots of lovely new aquisitions awaiting planting!  On the left Cornus Alba is starting its fiery display.

I have been coveting many planting intentions for a whole year, culled from extensive reading and admiring, and now the scraps of paper and scribbled notes have become a list, and all the plants are sourced and awaiting planting.  So watch this space …they’ll be in situ very soon now!

The Gibberd Garden – A Review

I would like to have been able to have sat down and had a cup of tea with the late Sir Frederick Gibberd CBE RA, the acclaimed architect designer of Harlow New Town.

 Head of Frederick Gibberd, bronze cast by Gerda Rubinstein, with Mother and Son, fibreglass cast by Gerda Rubinstein in the background.

I would have sat back in one of the comfy sofas in his lovely duel-aspect sitting room in his home, and admired the carefully framed view of his splendid garden pond through the large picture window.

And I would have told him what a magical haven he had created, with such an atmosphere of fun, exuberance, and, above all, eccentricity.

The Gibberd Garden, near Harlow, in Essex, is just a 45 minute drive up the motorway from my house, and on both my visits there I have been struck by what a memorable and uniquely personal garden this is.

Sir Frederick was the master-planner of space and vistas in the garden, from 1955 until his death in 1984, and an avid collector of sculpture, along with his second wife, who, if this plaque of the two of them is to be believed, did the actual hard graft of planting and weeding.

Frederick Gibberd at his desk and Patricia Gibberd weeding, concrete cast relief by Gerda Rubinstein

Together, they created a quirky garden, stuffed full of intriguing works of art, dotted around the large garden in unexpected places.

The primary purpose of the garden is billed, by the trust who now administer it and open it to the public, as a sculpture garden, rather than a horticultural tour de force, but I would say there is a lot that is instructive to the keen gardener here, not least because it really inspires you to integrate artworks into your own garden.   And there is nothing remotely precious or pretentious in this endeavour – Sir Frederick and his wife purchased many beautiful works from professional artists, but they also made full use of anything that caught their expert eyes – many ordinary objects are elevated to the status of artwork just by Sir Frederick’s careful placing or use of it in his garden. (For example a piece of drift wood shaped like a stag’s head mounted on the end of the house wall.)

So we have now coined a phrase in our household – something arty for the garden,  is termed  ‘gibberd-esque’ ( or even ‘gibberdy’ ) and we  know what we mean.

Sir Frederick obviously had a terrific sense of humour – here are just a few examples:

Pair of pine wood columns by David Nash

Portland stone columns salvaged from Coutts Bank, The Strand, with classical acanthus

Two bronze cast dogs by Robert Clatworthy

Above all Sir Frederick liked to do things in his own way.   Refreshingly, he seems to have been not overly fussy about how expertly he used paving stones and concrete – a rough and ready approach was fine, as long as it was homely and truthful.   His philosophy seems to have been – it doesn’t have to be too expert, because once your garden has matured, the artworks and landscaping will weather down and fit in.  He was a great enthusiast for concrete (he was even president of the Concrete Society) and did much of the hard-landscaping himself – and you really have to admire his just-get-on-with-it spirit.

I also liked his appreciation of somewhere secluded to sit in the garden – at either end of his Edwardian bungalow (much adapted and extended) there are excellent seating areas, with a sheltered Mediterranean character.

The use of shallow pottery pans planted with sedums on the patio really caught my eye – I aspire to find something similar myself.

I also liked the use of Akebia  quinata (chocolate vine) on the pergola structure directly outside his conservatory and have therefore purchased one to plant this autumn in my own garden.

My children found much to enjoy the garden – most importantly – the impressive castle, with real moat, which Sir Frederick built for his grandchildren -

And the splendid gentle hill to roll down -

The Gibberd Garden is a great day out – reasonably priced, with an excellent car-park, tidy toilets and a lovely tea-shop, and helpful and enthusiastic volunteer staff.  The house is also very interesting inside, with models of Sir Frederick’s building projects and an archive of his personal working files lining the walls.